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Identify Of Books Ambiguous Adventure
| Title | : | Ambiguous Adventure |
| Author | : | Cheikh Hamidou Kane |
| Book Format | : | Paperback |
| Book Edition | : | Special Edition |
| Pages | : | Pages: 186 pages |
| Published | : | January 1st 1972 by Heinemann Educational Books (first published 1961) |
| Categories | : | Fiction. Cultural. Africa. France. Western Africa. Senegal. Classics. Literature. African Literature. Philosophy |
Cheikh Hamidou Kane
Paperback | Pages: 186 pages Rating: 3.64 | 868 Users | 78 Reviews
Representaion Conducive To Books Ambiguous Adventure
This book is about so much more than "a Senegalese man's experience in France." It is a philosophical exploration of the differences between Europe and Africa, White and Black, atheist and Muslim, materialism and mysticism. The narrator grows up feeling connected with the world, sensing the underlying unity of the spiritual and physical realms. His experience with the West exposes him to a new way of thought, one that is secure in its own superiority and values things only for their practical utility. The narrator brings his spiritual strength and philosophical understanding to bear on the challenge of integrating these two worldviews, to little success.Specify Books Concering Ambiguous Adventure
| Original Title: | L'aventure ambiguë |
| ISBN: | 0435901192 (ISBN13: 9780435901196) |
| Edition Language: | English |
| Literary Awards: | Grand prix littéraire d'Afrique noire de l'ADELF (1962) |
Rating Of Books Ambiguous Adventure
Ratings: 3.64 From 868 Users | 78 ReviewsAssessment Of Books Ambiguous Adventure
A young Senegalese student embodies the tension between French colonial influence and his local Islamic thought as he grows up. This book was deeply philosophical - I feel like I need to read a history of Senegal, the Q'uran, Pascal and Descartes before I can understand the full context of the debate Kane was participating in. Apparently the high vocabulary level and descriptive writing style intended to mimic the Q'uran, which makes a lot of sense. Despite all this, I read the book in a day -Ambiguous adventure--ambiguous ending. The story line, about a young African Muslim's encounter and engagement with the French, is both compelling and it remains timely and important. The story, though, gets bogged down in long conversations about philosophers and their writing (as much as I like Pascal, reading several pages of dialogue dedicated to him is not compelling narrative), and many of the novella's secondary characters just disappear without any seeming purpose to their appearance in
Methodical, ruminative coming-of-age tract played out against the backdrop of the developing world and its colonial counterparts. Kane looks at the way that colonized Africa has managed to wager its soul in the ongoing conflicts with the West, told here by a young Islamic scholar.Standard culture-clash, but really heartfelt and ready to delve into the most vulnerable areas of the dilemma. A couple of different frames are being placed around the simple narrative ---promising village boy deemed
The text sets up and explores a (false) dichotomy between a spiritual (Sufism in Senegal) native culture and a secular, alienated, modern West. Raised in a particular Sufi tradition that venerates closeness to Death and living ones life constantly seeking the Infinite, the main protagonist journeys to France and finds an alienating society where people have turned away from the Infinite in favor of material progress. I find this dichotomy tiresome. It is simply false that no one ever doubted
That was the first time I have truly read my own culture within a western genre:)
Samba Diallo's French education made him began to doubt the religion, Islam, that he had studied and loved as a child in Africa. Yet, at the same time, he felt out of place in France; the society seemed soulless. After returning to his own country, he could not bring himself to pray. Thus, he is also out of sorts with his own people. Kane writes, "I am not a distinct country of the Diallobé facing a distinct Occident, and appreciating with a cool head what I must take from it and what I must
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