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The Film Sense

Sergei Eisenstein

Paperback | Pages: 320 pages

Rating: 4.02 | 322 Users | 13 Reviews

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Title	:	The Film Sense
Author	:	Sergei Eisenstein
Book Format	:	Paperback
Book Edition	:	Special Edition
Pages	:	Pages: 320 pages
Published	:	March 19th 1969 by Mariner Books (first published 1942)
Categories	:	Culture. Film. Nonfiction. Art

Representaion Conducive To Books The Film Sense

An exploration of the film as a more expressive and profound medium. Includes an analysis of a sound-film sequence from Alexander Nevsky. “The most instructive discussion of the film art yet put between the covers of a book” (New York Times Book Review). Edited and translated by Jay Leyda; Index; photographs and diagrams.

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Original Title:	The Film Sense
ISBN:	0156309351 (ISBN13: 9780156309356)
Edition Language:	English

Rating Out Of Books The Film Sense

Ratings: 4.02 From 322 Users | 13 Reviews

Appraise Out Of Books The Film Sense

The book is a great gateway in the thinking of the great Eisenstein. It shows a beautiful method of thinking AND practice with a lot of valuable references and examples.The part where he dissects the score that affects the image is super interesting, however having seen the film is preferable.The film, Aleksandar Nevsky (1938) is a classic Soviet film in all its pathos and theatrical sense. It is dated, but it is still spectacular. A lot of the criticism that Eisenstein expresses towards other

Todos os aspectos do filme, desde a relação entre palavra e imagem, a sincronização dos sentidos, as cores e seus significados e a correspondência entre forma e conteúdo. Uma aula do mestre Eisenstein.

كتاب مهم حيث يشرح شعرية الكتابة الفيلمية.



Sergei Mikhailovich Eisenstein was a Soviet film director and film theorist, a pioneer in the theory and practice of montage. He is noted in particular for his silent films Strike (1925), Battleship Potemkin (1925) and October (1928), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958). In its 2012 decennial poll, the magazine Sight & Sound named his

Un excelente libro para introducirte al montaje en la cinematografía, con ejemplos claros de como este mecanismo sólo es una manifestación de como entendemos el mundo con los sentidosEl último capítulo se hace tedioso si no se ha visto el filme Alejandro Nevski, del mismo autor

So I know Eisenstein is a vital component of film theory, but man, he is a little hard to read. You really only need one parenthetical phrase per sentence, if that. I don't know how much of it is his writing and how much of it is the translation, but it's a bit of a slog. Topics covered include film as a language, the role of film to tell stories, and the ever important component of montage in film and in all the arts.